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Showing posts with label Acrylic Paintings. Show all posts
Showing posts with label Acrylic Paintings. Show all posts

Friday, November 20, 2015

Farm of the Past

Artist's Gallery
The Old Barn
And now, a final poem I wrote last summer:

Farm of the Past

Surrounded by a surging sea of grain
The old farm, near deserted, stands alone;
Its silos rise like beacons o'er the plain
To hail once more the harvest season come.

The length'ning shadows of the setting sun
Fall softly on the quiet, rugged barn,
Whose rafters echo yet with lowing calls
Of milking cattle from those days long gone.

The sparrows dart to nests beneath the eaves,
Hard-working tools and rusty wagons rest;
Old musty bales of straw lie in the loft,
While memories of the farmer’s work creep past:
The empty cattle walk and milking stalls,
The barnyard overgrown with thorns and sticks,
Rough fences, iron gates, and on the wall,
A license plate from 1966.
 
The silos flank the barn like sentries tall,
Their worn stone walls have sheltered years of grain;
Strong pulleys, iron rods, and rusty pipes
May never handle fodder corn again.
 
How has the small-time farmer’s work been lost?
The harvest’s precious, priceless product gold?
Has industry completely swept the field
Of tractors, haystacks, milking herds of old?
 
Gone are the family farm work, faith, reward,
Though harvest time continues year by year;
Only the empty barns and tools preserve
The farmer’s hard-worked livelihood so dear.

Sunday, August 10, 2014

Pond Trio

Artist's Gallery
A Trio of Three Ponds
Interestingly enough, both of my oil paintings are not displayed together in my house. Mud Valley Reflections joined a number of my Amish country paintings in our living room (Walk in Mud Valley, The Way Home, and Walking Home). On the other hand, Fish Pond Shed found its place in the kitchen in an interesting trio of paintings. It matched my painting Water Lily Lake nicely: though the ponds are different, the colors are the same. I also had another small painting of the same pond as in Fish Pond Shed. You can see it up close below. It was a bit challenging to fit such a horizontal scene into a vertical frame! I really like how the light in the sky and water came out though. And the ripples in the pond - those are especially pretty I think. The farm and shed, well, they're decent enough. Anyway, this painting completed the trio nicely. I was happy to be done with those messy oil paints!
Fish Pond Study

Sunday, January 19, 2014

Water Lily Lake 3

Artist's Gallery
Completed Painting
And, the painting is complete. I had the hardest time figuring out a frame--plain wood does not seem to fit, somehow--but had this yellow one on hand and thought it looked nice. As far as how it came out, I think it's a fresh, spring painting with the bright, soft colors.
On the other hand, take a look at the actual scene in the photo below. The subject, arrangement, and view are about the same. However, the yellows and deep greens portray more of a mid-summer scene, which it actually was. I don't think I've ever had a painting come out so differently from the photo before! But it certainly is interesting. Which look do you like better?
Photo of Lake at Paint-Out

Saturday, January 18, 2014

Water Lily Lake 2

Artist's Gallery
Finishing the Painting
All too soon, it was time to leave the paint-out. I was far from being finished, and so quickly snapped some pictures of the scene before going home. I continued to work on it for the next few days. That's often how painting outdoors is--you put in the basic sketch and mood of the painting and then finish it at home. Although, the fastest painters can actually complete a painting (or even several!) on the spot. I am not one of those.
Anyway, my painting seemed rather dull, so I decided to add some burgundy red flowers all around the lake. I modeled them after some very dark flowers I actually saw there, but placed them where I wanted to give the photo depth. Layers of white paint gave the lily pads and flowers a fluorescent brilliance to contrast with the sky-blue lake and spring-green trees. I had a lot of fun on the windmill.

Thursday, January 16, 2014

Water Lily Pond 1

Artist's Gallery
Outdoor Painting
I never enjoyed painting outdoors. After a couple frustrating tries, I decided for sure I couldn't do it. Too messy, too much wind and sun, too hard to capture the images without using a photograph. But when my art class announced a paint-out at one of the member's beautiful backyard gardens, I couldn't say no.
 
As I dragged my lawn chair, painting supplies, easel, and hat across the yard, I marveled at the beautiful lake spread out before me. Soon I was splashing paint (randomly) across the paper, sketching in the blue lake and sky and green trees and bushes. I wanted to include all the pretty things around the lake as well - the dock, board walk, windmill, and lots of lily pads. I took a lot of photographs, but I will show you my painting first since it looks very pitiful against the pictures!

Saturday, October 12, 2013

Golden Days

Artist's Gallery
Golden Days in Mud Valley
And now for one last Holmes County painting before we move on. Above is the picture all finished. There's a reason I don't have a series of step photos like usual: I completed this in one sitting, using a very fast and bold technique. Starting with the greens and blues in the background, I proceeded to slap in dark and light browns for the tree trunks. Once all that was dry, I used fan and scrubby brushes to dab in the red and yellow leaves, both trees and ground. An interesting point is that I used pure white to create the light spots and highlights. I like how the texture and detail came out, but I'm not really happy with the color combination. I did like the name pun I came up with though: Golden Days in Mud Valley. Tell me what you think!

Thursday, October 10, 2013

Walking Home 3

Artist's Gallery
Painting Complete
And here is my complete painting, framed and ready-to-hang. How do you like my people? I told you I was not good at painting figures! From my limited experience acquired since, I believe the proportions are a bit off, more like children than the adults I imagined. However, they look cute and happy and seem to fit in alright - what more can I ask? The tree added an interesting touch in the front compared to my previous painting, The Way Home, which I did from this same spot. I like the warm, glowing qualities about the picture - I think Walking Home came out quite satisfactorily.

Tuesday, October 8, 2013

Walking Home 2

Artist's Gallery
Stage 2
The trees have come alive in the next stage of this scenic painting. I was liberal with the brilliant yellow and red hues of paint. They contrast nicely with the rich greens of the grass. Note that I did not change the color of the grass strips along side the road at all from my last post. However, their appearance has really mellowed with the addition of the yellows on either side. It's a trick on the eyes.
I love painting roads for some reason. The shades of tar weathered with all kinds of traffic tires, and in this case, buggy wheels as well. Notice the long shadows in the foreground? I guess I had not yet learned, always paint a tree before its shadow!

Sunday, October 6, 2013

Walking Home 1

Artist's Gallery
Sketched In
And now we're back to another regular painting I did from that same road in Mud Valley. In fact, you can see a couple similar paintings I've featured here; check out the reference photo here. Only this painting is a little different - it replaces the buggy with a couple figures. I'm not too good with painting people, so we'll see how it comes out!
I started out with the pencil sketch above, using a ruler to make sure everything was to scale with the photo. I don't usually take pictures of my sketches, so this is a unique shot! If you look closely, you may also notice that I added the foreground tree at the right.
Stage One: Background
The first step was painting the background. A brilliant autumn sky and multi-colored forest are backdrop to one of those quaint white barns...yes, one of my favorite subjects. Both the nature of fall and the afternoon sun color the grass green hues golden yellow. If I may note one issue here, the background colors are really way too brilliant and bold for being so far away in the picture. We'll see how that pans out in the painting.

Sunday, April 28, 2013

Silky & Fuzzy 2

Artist's Gallery
Finished Ducks
Now the ducks are taking shape! I added highlights on their necks and backs, stark white and dark feathers on the wings, and defining black on the bills. I love how the stones came out too--the front one looks very textured, while the background rocks are smooth and shaded. You may be surprised to find out that this was only an 8" by 11 1/2" picture, since I crammed so much detail into it. I guess that's why I am overwhelmed with larger paintings: I work in such painstaking detail!
If these are the two Khaki Campbells from my painting "Baby Ducks," where is the Pekin? You can see my painting of our Pekin duck, Daffy, right here. It's less detailed, only the size of a greeting card; check it out and tell me which one you like better.

Saturday, April 27, 2013

Silky & Fuzzy 1

Artist's Gallery
First Layer
Of course, before you know it, those little ducklings will be all grown up into big ducks! So here goes for a painting of Silky and Fuzzy, the grown ducklings from the "Baby Ducks" painting. I placed them standing on our (somewhat fragmented) cement sidewalk. I started out with blocking in the stone and duck colors, adding shading around the ducks' necks and feet. The shape came out pretty well, it seemed to come naturally to me. I also tried to keep more unity in the grass as I painted it, creating clumps of dark and light rather than individual brush strokes. I'd say it's coming along pretty well!

Thursday, April 25, 2013

Baby Ducks

Artist's Gallery
Snuggly Duckies
 Which are cuter: chicks or ducklings? In our house that would be a debated question. But when my sister got three little ducklings, there was no question they were cute! Of course, after I got done with my chicks, she wanted a painting of her "babies" too. She certainly didn't lack photographs of them for me to use as references. I did this painting in almost one sitting, I think. I used what I'd learned on the chicks and kept the litter color smooth and uniform. The duckling "fur" was hard to mimic, but they look pretty soft. The yellow one's name is Daffodil; it's a Pekin that grows to nine pounds (imagine that!). And the little brown one (no, it's not a platypus) is either Fuzzy or Silky--we had two identical brown duckies. They are Khaki Campbells, champion egg layers in the duck world, and about half as small as the Pekins.

Tuesday, April 23, 2013

April Arrival

Artist's Gallery
Cozy Chicks Framed
A year later, I wrote a poem about the arrival of our first chicks. I think it goes with this picture pretty well. Hopefully, even those who don't love chickens will enjoy it!
 
A box full of wonder,
So lively yet tender,
Was delivered that drear April day—
The sprout of the seed for
The amazing adventure
That would grow in a promising way.
 
I peeked in the package—
There were ten cheeping chicks!
In the water I dipped all their beaks,
And settled them down in
The box like a bird’s nest,
Which would be their first home for six weeks.
 
They explored, scratched, and twittered,
Pecked food in the feeder,
And then slept kitten-style on the floor.
Soon rich, rusty copper
And midnight black feathers
Replaced cottony down of before.
 
With wonder we watched as
These beautiful “peepies”
Became hens of a fine, fruitful flock,
Changing so many ways—
From a box to a henhouse,
From wee “cheeps” to the egg-laying “bock”!

Sunday, April 21, 2013

Cozy Chicks 3

Artist's Gallery
Finished Painting
If you have been following my posts, you know that this painting needed some work. The value contrasts were all the same, shown by looking at the picture here in grayscale. So I had to decide whether to make the chicks, or the background, darker. Since your eye usually goes for the darkest object first, I decided to darken the chicks' feathers. Now this doesn't mean they can't still have highlights; I only need a contrast between various values. I also tried to unify the straw colors more since they were really distracting.
In the end, I think the chicks came out very life-like. I especially like how I captured the one in the back sleeping--that's exactly how a chick sleeps, head dropping down til it hits something! Theoretically, two of these chicks are Buckeye and Midnight, the now "famous" hens in my painting "Best of the Barnyard." But of course, there is actually no way to know what exactly they looked like as babies.

Friday, April 19, 2013

Cozy Chicks 2

Artist's Gallery
Adding Detail
Another layer of paint brings everything into a bit more detail. The box of gravel grit in the background is looking best! We made the little roost ourselves, and I enjoyed painting it. Of course, it would not actually look that clean. As for the chicks, painting chick down feathers is even harder than regular chicken feathers!
Chicks in Gray-Scale
Doing this painting at my art group really helped. The senior art teacher pointed out that everything in the painting, though different colors, was all the same value. I took a black-and-white photo to find out, and indeed, almost everything was the same shade of gray. Gray-scale removes the color and shows clearly the level of dark vs light in the painting. Looks like I will need to add some real dark and light colors into the painting next!

Monday, April 15, 2013

Cozy Chicks 1

Artist's Gallery
Beginning Layers
My apologies if you are tired of chickens already; I still have more than a few paintings to share! Of course, since chicks are one of the cutest things on earth, I had to do a chick painting next. Only, in my painting, they don't look like the cutest things on earth . . . humm. Anyway, I started with a dozen photos of my first chicks (see a few here), and put in a wash of colors. The "chipmunk" stripes on the Rhode Island Reds' backs were very important, as well as a few white feathers already coming out on the Barred Rock chick's wing. Can you make out the roost it's supposed to be perched on?

Thursday, April 11, 2013

Best of the Barnyard 3

Artist's Gallery
Proud to Be a Hen
And . . . what do you think of the finished picture? Just a few more highlights on everything finalized the scene nicely. It's a very intense, color-rich picture, to say the least. I learned a couple important lessons on this one. First, darks and lights make all the difference. Always keep them balanced in your painting. Second, keep background objects loose and light. The grass and logs verge on the edge of being more detailed than the hens, and thus distracting from the focal point. Third, chickens are very delicate creatures which require feathery strokes and moderate amounts of paint. This said, I'm still surprised the picture came out as well as it did! And afterward, my art teacher said, again, that I really should become a children's book illustrator!

Sunday, April 7, 2013

Best of the Barnyard 2

Artist's Gallery
Adding Definition
So . . . after another layer of paint, everything is a bit more defined. You can find almost every color of paint on the straw-covered ground, and that corn cob must be some type of monster hybrid! Okay, what I do like about the painting at this point is those logs in the back and the paint texture on the side of the building. The shading and color creates some really nice texture there. By the way, the peeling paint was not natural; my chickens have been pecking away at it for the last three years. I never knew chickens think paint is candy!
 
As for the work on the hens themselves, above you can see that I made that dark hen even darker, now varying from coal black to ebony! This is definitely not the coloring of a Rhode Island Red. So below, in stage three, I tried to add some lighter browns back in. Not there yet, but certainly an improvement. That's the benefit of acrylics: you can always paint it out. The combs proved especially hard, and they came out dark too. And the Barred Rock was worse than painting a zebra; trying to work shading into the white stripes as I moved around its body was not short of tedious! But I'm really pleased with it: the blurrier stripes on the leg feathers and tail make those fluffier feathers look soft. There sure is an art to painting feathers!
Feathers Coming Along

Thursday, April 4, 2013

Best of the Barnyard 1

Artist's Gallery
Underpainting
If I asked you to guess one subject I would choose to paint, that I've not touched yet, what would it be? If you guessed chickens, you're right! Chicken Lover + Artist = Poultry Painter. Or, in the words of one of my friends at my art class, I am the "Rembrandt of the Barnyard"! Well, as it turned out, spending hours observing my hens did not seem to improve my poultry painting abilities much.
When I finally decided to tackle chickens, I decided to do my two favorite hens from my first flock: Buckeye and Midnight. I proceeded to follow them around with a camera taking fifty pictures each, and a few of every other hen in my flock "for reference" on the tough spots. Okay, it is kind of hard to get a chicken to pose in that perfect position you want! You can see actual photos of both of them here and here. Above is a watery painted sketch of the scene I wanted. Notice on the brown hen how my shading is already off: the shadows on the wing are much darker than the leg . . . we'll have to see about that one.

Sunday, October 14, 2012

"Long Summer Days"

Artist's Gallery
My Painting on the Calendar

Yes, my painting is on the calendar! Just a note here, thanks to my family for generously helping out with most of the votes for it (“loading the ballot box” as one of my artist friends put it!). Still, I thought it was a beautiful representation of our rural county, right down to the title, “Long Summer Days on the Farm.” And July is the perfect month to display it on! I like it with that black border...maybe I should try a black frame?… Of course we bought several calendars, and I will always treasure this picture, even when the calendar's months are over.